Shooting Stars, written by the winner of the 2012 David Malin Astrophotography Award, will show you how to shoot your own stunning images of the moon and the stars with just your digital SLR and a tripod.
It will teach you about five key styles of night sky photography and the camera settings required for each:
If you've ever wanted to photograph the night sky, I'm very confident this eBook will help you a lot!
With this lunar eclipse starting low in the sky, I decided to try and capture an image sequence of the partial phases showing the type of photography that can be done with simple gear and 'night sky photography' techniques. After some on-line and on-ground scouting around my new home territory in central Victoria, I settled on the grand old Maryborough Railway Station as my location, which *just* allowed me the sight lines on the eclipse I needed, or at least so I thought from Google Earth and Streetview.
Execution went mostly to plan and this result is close to what I had in mind, except that the car park and grounds at the station had been significantly reworked since Google Earth/Streetview was last there so that threw out my planning a little. I was using a tall ladder to gain a little extra clearance over the roof of the station, hoping to pick up an image of the Moon at the end of totality, but my compass alignment wasn't quite accurate enough and so that happened behind the clock tower. Still I wanted the action to be close to the tower and the centre of the frame so I'm happy with how this worked out. I have several other versions of the foreground during twilight to experiment with as well.
I first saw the eMotimo Tilt-Box motion control units two years ago, when a participant on my Night Sky Photography Workshops brought one along to play with. I could see then that they were both well designed and built and also great fun. With the release of the Black TB3 version and my own experiments with motion control needing an upgrade, I couldn't resist getting my hands on one and hope this review will encourage others to have a play with one of their own.
Any trip away from home is an excuse to find dark skies and interesting locations for night sky photography, and a trip to the Australian Astro Imaging Conference (AAIC) was no exception, despite its Gold Coast location.
While planning the trip, I considered that it was almost the ideal time of year (in the southern hemisphere) to capture the zodiacal light in the west, with brilliant Venus set to be blazing in the middle of it. And a trip up north from Melbourne would further increase the angle of the zodiacal light, putting it almost vertical to the horizon with the Milky Way running overhead across the sky at the end of twilight as well. Later in the night the Gegenschein (counter-glow) would rise, in a dark part of the sky well separated from the Milky Way.
I was in Parkes, NSW in July for the Central West Astronomical Society's Astrofest and the David Malin Awards, of which I was fortunate to pick up a couple. No trip to Parkes is complete without some night sky photography out at 'The Dish' so Greg Gibbs and I met up out there on the Friday a little before sunset. We enjoyed only drab grey conditions (even some rain) until after sunset but then a short-lived sucker hole allowed us just a few minutes, before we gave up and headed back into town. After dinner I noticed the sky was clear, and despite little certainty of it staying that way I headed back out and was rewarded with a couple of hours of lovely clear sky.
There's nothing I love more than a cold, frosty and clear winter night under the stars. Central Victoria turned on two great nights on Friday June 7th and Saturday 8th, with just a little cloud in the wee morning hours. I managed to get out and about a bit, to capture the evening conjunction and several other nightscapes a short distance away from the Astronomical Society of Victoria's Leon Mow Dark Sky Site.
Image processing has got nothing on editing timelapse videos when it comes to consuming your life's spare moments! Especially if the timelapse involve rapidly changing aurora and day-night twilight transitions captured in challenging circumstances. But after a hectic summer, I have finally made time to get back to the footage from my Yukon Aurora Adventures and produce video #3.
Originally conceived as a seven minute version which included some 'behind the scenes' type sequences, I was prompted to create this short two minute version first from the best of my Yukon footage for the 2013 David Malin astrophotography awards.
I went back down to Cape Schanck again, but this time rather than heading down to the lighthouse, I stopped on the side of the road looking out over a farm (that I had scoped out on Google Streetview). This is the kind of image I was hoping to capture - I love it when a plan comes together!
I've just come back from three nights running a Night Sky Photography Workshop at Lake Eppalock, and while I was supposed to be instructing, I was also very keen to capture some images of Comet Lemmon (and Comet Panstarrs) over the weekend.
The weather continued hot and dry like it has all this Victorian summer, and so while we had largely clear skies at night we were battling a lot of smoke haze (and some high cloud) that made the sky low in the south quite murky (at best) on Friday and Saturday nights. The night of Sunday 17th February 2013 was considerably better, and so I was very pleased to be able to capture this image.
It's been four years since my first amazing photographic experience with bioluminescence in the Gippsland Lakes, but it has finally made another appearance. These images were taken between the 11th and 16th January 2013, while I was again a Program Director for Camp Cooinda, a voluntary organisation running summer camps for teenagers down at the Lakes.